![]() ![]() However, the instruments that played this part differed over the course of time and from region to region.Īt the beginning of the century the brass section's bass voice was the province of the serpentone, often also called the corno di basso (bass horn). This voice description was used consistently throughout the 19th century in Italy and is found in operatic scores from Bellini to Verdi and Puccini. Although the term was in everyday use among musicians, composers, conductors, publishers and instrument makers throughout the century, the meaning of cimbasso was clear only to the extent that it described nothing more or less than the voice below the trombones, the deepest brass voice in fact. The term cimbasso emerged in Italy at the beginning of the 19th century and is probably an abbreviation of corno in basso (bass horn). History 19th century - cimbasso describes the deepest brass voice This valve was developed in Vienna by Joseph Riedl in 1835 and is now the most commonly used valve on brass instruments along with the Périnet or piston valve. Today the instrument is made in two keys, F and Eb (four valves) and is of the valved contrabass trombone type. The cimbasso is usually played by a tuba player because its mouthpiece is the same as the tuba's. The five rotary valves are operated by the right hand, the 5th valve by the right thumb the triggers of the first two valves are activated by the left hand. The cimbasso is about 120 cm high and is played in the sitting position, resting on the floor on a tail-pin or spike the length of which is adjustable. The most striking feature of the cimbasso is the front-facing bell, which points slightly downward when the instrument is in the correct playing position.
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